The Lomo LC-A (aka Lomo Compact Automat) is a compact camera manufactured by LOMO since 1983. This is a super cheap and simple camera that has become legendary and loved by many experimental photographers. This is not just a popular camera, but a device that gave rise to a whole photo philosophy called Lomography.
If you often visit the pages of Sovietcameras.org and read our articles, you most likely know that most Soviet cameras are copies of Japanese or German cameras. The Lomo LC-A is also no exception because this is a copy of the Cosina CX-2 camera.
But this time, this is not an exact copy, but rather a very strong borrowing of the idea, because the shutter, lens and partly the body were developed by LOMO from scratch.
The camera was designed for 35mm film and was equipped with a Minitar-1 2.8/32 lens. Unlike previous cameras manufactured by LOMO, this lens is wide-angle. In combination with other solutions used in this camera, this made it possible to photograph without focusing.
The camera uses a central shutter with shutter speeds of 1/500 second with an aperture of 16 to shutter speed of a few seconds with an aperture of 2.8. The B shutter speed is absent. In addition to automatic shutter speeds, the camera also has also a manual shutter speed of 1/60 seconds.
The camera, like most devices created on LOMO, is made of plastic and sheathed with leatherette. The assembly is quite high quality, especially for a plastic camera made in the USSR.
The viewfinder is located above the lens, which reduces parallax well enough. Both of these elements close when the camera is not in use. Next to the lens is a small focusing lever, with which you can focus at distances of 0.8 m, 1.5 m, 3 m and and infinity.
Like most 35mm film cameras from LOMO, the LC-A does not have a rangefinder or mirror mechanism. This means that focusing should be done using the distance scale.
Of course, the Lomo LC-A camera is truly legendary. It gives interesting photos, which are very loved by the fans of Lomography around the world. But the team of Sovietcameras.org does not quite share the enthusiasm for this camera.
The fact is that Lomography is a rather specific genre of photography. Appearing as a kind of protest against perfect-looking photos, Lomography has become a field for experimentation. Initially, unusual colors and different illuminated areas in the picture were the results of the structure of the camera itself.
Then, many fans of Lomography did a variety of things to give their photos the most unusual look. They bought a very expired film, overheated it, supercooled it, underexposed it and overexposed it.
But here we may wonder. Are photo effects more important than the photo itself? Is Lomography something overrated? Will there be a moment when photographs taken with old phones with the first built-in cameras will also be considered art?
For ourselves, we answered these questions. What do you think about this? Write to us about this in the comments on this article.